It was incredible reaching my goal in just 26 lessons!
Awesome experience, you must try it! A training that I will never trade for anything else.
My voice was fixed in no time, by just correcting my posture!
I strongly suggest Mylena to anyone willing to get REAL results! Before trying the Inborn Voice Method I've lost 6 years of useless trainings!
Mylena is much more thatn a vocal coach. I was trying to fix my voice, a voice that is my income source, but the problem was elsewhere. Mylena was still able to "fix" it!
I've fallen in love with my new voice even after few lessons!
Milena has a passion: help the other to truly express themself using the voice.
Milena is empatic and has a wealth of experience to share. I was able to speak in public with no fear and no tension!
I was impressed by the seriousness of Mylena's approach to voice teaching. I've developed a stronger voice and now I'm able to perform all the tunes I write without an issue!
You are an awesome teacher. I was able to reach better results than I was dreaming for!
Mylena Vocal Coach on Disco Radio!
Vocal cords are not forgiving
That’s what singing is all about: the key to freedom
Want to learn how to use the hidden power of the voice?
Have you read the interview with Mylena Vocal Coach in Vogue?
Millionaire Magazine interview Mylena Vocal Coach about Voice Evolution
Free Webinar with Mylena Vocal Coach for the Bocconi Alumni
You can also learn how to sing incorrectly
Video Testimonial from Federico
Singing from the balconies
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All the contents are in English or have English Captions!
At present time you will find Mylena Vocal Coach Interviews in this Youtube Playlist:
Modern society continues to suffer the decay I mentioned at the beginning, with the multiplier effect of digital communication speed and social panurgism. In fact, if in ancient times the singer’s “managers”, i.e. the people who handled the artists, had to make a living by offering the public “mediocre” artists, exalting them as if they were the best, imagine what could happen today where the media bombards us from all directions.
Many people who approach voice training rely on chance as if they were gambling on lottery numbers. Often they do not have any means, sometimes not even an idea, for assessing the teacher in front of them and to whom they will entrust their voice. This is where it is good to explain what are the yardsticks for measuring the skills of a vocal coach.
The first yardstick is to evaluate his/her voice. And that is where the shoe pinches! In fact, very often I find myself in front of people or other vocal coaches who want to evaluate skills based on how someone sings. Many people are surprised because they can’ t find on YouTube or other similar websites any trace of my “singing” performances as if it was mandatory to show them to be hired. They can’t find any because I have chosen not to show them.
We often forget where culture originates from. Culture is born out of the man. If today we can study technical subjects such as mathematics, artistic subjects such as music or spiritual subjects such as religion, it is because some men have bothered to organize their knowledge, their ideas, in order to transmit them to disciples.
Clearly, voice education also had its origins in the same way. The great singers of the past, once reached clear fame, were followed by a few students, called apprentices, who wanted to learn their art.
In the past, when the environment of vocal training was still limited to a minority, theoretical study occupied only a small part of the education necessary to become a teacher, in fact, the practical aspect was the most important one. Things seem to have turned upside down today. I have to say that they seem to be because in reality very often those who have been trained to be a teacher have no idea of the practical aspect of what they have learned. Many people hide behind specialist terms, often used inappropriately, just to give themselves credit or show that they have theoretical knowledge. The thing that is dangerous for me is that those who have obtained some degree by studying books totally lack practical experience or worse still have unacceptable vocal problems yet to be addressed.
For me, it is important that people can understand and therefore make well-informed choices about who to entrust their voice to. It is also important to know what may be the consequences of incorrect learning.
Today more than ever I feel the responsibility of doing a little clarification on the world of voice training. The job of a vocal coach is to help people improve their voices, to speak, act or sing. That seems clear to everyone. What is often underestimated is that no result can be achieved if the health of the vocal cords is not preserved intact. In fact, it is impossible to develop a conscious and harmonious voice when the vocal cords have suffered any form of damage or abuse. Let’s take for example the soft and silky hands of a child, capable of giving very delicate caresses. Only when you care for your hands, even after 30 years, they will maintain the same delicacy. If on the other side, the hands are exposed to mistreatment, they will develop a whole series of modifications that will make them rough and calloused: they will always be able to give caresses, but no longer with the same delicacy. Our vocal cords must be absolutely preserved and, fortunately for us, if we know how to use them correctly, they don’t get damaged, they don’t develop nodules and they allow us to grow up to centenarians with an enviable voice.
Recently a big publisher asked me to prepare a manual to be included to one of its monthly magazines to share my experience with readers.
The manual is ready and waiting for publication I decided to make it available as an e-Book also to readers of my website.
You can download it completely for free, just click on the cover and follow the instructions
Good reading to everyone and I look forward to your comments!
This new year opens with big news ahead. In fact, just after my re-entry in the United States, I will be in Manhattan, New York City with an event of great international relevance.
I will be interviewed in a public presentation by La Stampa correspondent Francesco Semprini, in an event that will also bring my Vocal Coaching revolution to New York. From that date, in fact, I will start with my new studio’s adventure in the Big Apple, the first Italian Vocal Coach to succeed in this great achievement. In addition to Milan, London and Boston, I will also have a studio in Manhattan!
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